Sanjhi साँझी · the art of cut paper

Her brush is a pair of scissors.

Jaishree Pankaj has cut paper since she was eight, sitting beside her grandfather as he made stencils for Shrinathji. Today she turns that temple craft into works so fine that people refuse to believe they are paper.

Peacock Jharokha: a white paper-cut peacock with its tail spread, inside an ornate palace window on deep green
Peacock Jharokha. Every line here is cut paper.
8
her age when she first picked up the scissors
1977
her first solo exhibition, in Hyderabad
60
panels shown at the Shrinathji temple, Nathdwara
6 months
to finish a single large panel
Ivory Jharokha: an arched balcony with lattice windows and carved pillars, all in cream paper

The art

A temple tradition, cut by hand

Sanjhi takes its name from sanjh, dusk. In Krishna temples, stencils cut from banana leaves and paper were filled with coloured powder each evening, to decorate the ground before the deity.

Jaishree keeps the cut paper itself. She layers it, colours it and builds it up into framed works, some so deep they look carved from wood or ivory.

Read about Sanjhi →

From the studio

A few favourites from more than five decades of work. Each one is cut by hand, with no drawing first. See all works →

Look closer

Paper, not paint

Lattices, tassels, bells and feathers, all cut with a small pair of scissors and pasted piece by piece. The closer you look, the finer it gets.

A peacock in the palm of her hand

Watch her fold a slip of paper, cut it with a small pair of scissors, and open it to show a peacock that sits on her palm. No drawing first.

26 seconds · cutting shown at double speed · with music

Music: “Sitar and Tanpura” by ShidenBeatsMusic, via Pixabay

Close-up of a paper-cut peacock's tail feathers
Tail feathers, Peacock Jharokha
Close-up of a paper elephant's decorated cloth and tassels
The royal elephant, Ambadi
Close-up of a white paper-cut wheel pattern on red
Chakra, close up
Jaishree Pankaj smiling, in a purple saree

The artist

Jaishree Pankaj

There has not been a single day when I have not cut a paper.
Jaishree Pankaj, 2013

A devotee of Shrinathji, she has exhibited since 1977, from Kala Bhavan in Hyderabad to Kala Ghoda in Mumbai. She does not sketch. She cuts what she sees in her mind.

Her story →

Collectors

Treasured by India’s great families

At her first Mumbai exhibition in 1994, her work was bought by some of the country’s best-known industrial families.

    Collectors & praise →

    In the press

    What the papers said

    From a Chitralekha cover in 1994 to Mid-day and Deccan Chronicle. Read the clippings →

    Commissions

    A piece made for you, and for a good cause

    Jaishree makes new work only on request: a Shrinathji for your puja room, a jharokha for your home, a gift that no one else will have. Part of every commission goes to charity.

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